Guitar:
2K Fender Am Std Strat w/ Warmoth Vintage maple neck, CBS headstock
Fender Am Std Strat 2-point trem w/ Callaham saddles, block and arm
pre-1983 Seymour Duncan SH-5
500K volume
no tone pot
Effects Before Amp:
BadgerFX Trilogy Echoplex Preamp, dark setting, Level @ 10:30 (unison)
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Strymon El Capistan (v1) for the typical 360ms single repeat
Amp:
'96 JTM45RI modded to '68 Plexi specs (per Friedman EVH '68 12301 specs list on old Metro forum)
50 watts, but tube rectified (NOS Philips 5AR4)
47K 8ohm neg feedback (any less neg feedback than that and it's too much)
.68uF on V2
NOS Valvo-labelled Mullards in V1, V2
NOS Mullard CV4004 in V3
EHX 6CA7s in V4,V5
Did not do the 50K mid pot trick
Did not do the dual variacs

OT is Mojotone (Heyboer) 50W
https://www.mojotone.com/British-Style- ... ransformer
Upper left input (of course), normal channel not involved (of course)
Everything on "10" except Bass OFF and Bright Channel volume at 9
Speakers:
I don't have real Greenbacks or D120s
I'll typically use the Suhr Reactive Load then load up iRs (in DAW or Two Notes Torpedo CAB M+)
Always D120 + G12M-25 Greenbacks together with SM57s on both
Roughly 75% D120 and 25% Greenback mix to help with that unique 1st album bite
Studio:
UAD 1176 for few dBs of compression
Pultec EQP-1 for hi-pass (tightening bottom end), lo-pass and a little sparkle
Pultec MEQ-5 (scoop 700Hz)
Eventide official H910 plugin, stock (no detune), Feedback 15-25%, Mix 15%
Extra Studio:
I have added via UA Apollo Unison the UAD API Vision Channel Strip (only using mic pre gain)
This is before the signal hits the DAW, and the item before this is the Two Notes Torpedo CAB M+ with iRs
So, just like running a pair of mics to the console (API)
I will use UAD tape both on the guitar and the "2" (main stereo out channel) - Studer 800, Ampex
Reverb Channel:
IK Multimedia Sunset Sound Chamber 1 (100ms pre-delay, hi pass & lo pass)
Have used UAD EMT140 as well
Mix:
Typically the dry guitar panned anywhere (depending on song) 66-90% Left channel
I pipe a buss out from that track (MONO only) to the Reverb Channel (see above)
Reverb panned out 50%-90% Right channel, unless Runnin' With The Devil (100% center stereo reverb)