As far as I can reckon, albums that Michael Wagener has produced, engineered, or mixed – including Mötley Crüe's Too Fast for Love, Skid Row's Skid Row, Metallica's Master of Puppets, Poison's Look What the Cat Dragged In, Extreme's Pornograffitti, and Dokken's Under Lock and Key – just to name a few – have sold approximately 50 million copies combined. I personally purchased dozens of these records in the years between 1983 and 1992, and spent countless lonely "nerd-with-a mullet" (and a Kramer Pacer guitar) hours dissecting the guitar tones and licks contained therein. Other producers from the era, like Andy Johns [Tape Op #39], Beau Hill, and Tom Werman [#102], were all making great, heavy records as well, but to my young ears albums with a Wagener credit were guaranteed to kick ass even more. It was something about the solid kick drum, the explosive bombast of the snare, as well as the sheen and girth of the guitars that sounded more substantial and authoritative. Needless to say, I was very nervous while driving through the Nashville suburbs in search of Wagener's WireWorld, a compact but seriously kitted-out studio, where the producer continues to develop new talent and collaborate with old friends, like Great White, whose new album Full Circle] had wrapped a few days before my visit. Michael Wagener is a cheerful, genial, and humble man who still loves dialing in wicked guitar tones, geeking out on gear, and, of course, making killer records.
Tape Op Interview With Michael Wagener
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Tape Op Interview With Michael Wagener
https://tapeop.com/interviews/124/michael-wagener/
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